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What does a scarab beetle tattoo mean to you? Cultural Significance: Ancient Egypt: Scarab beetles, particularly the sacred scarab (Scarabaeus sacer), held immense significance in ancient Egyptian culture. They were associated with the sun god Ra and symbolized resurrection, transformation, protection, and good luck. Scarab amulets were commonly worn by the living and buried with the dead to ensure safe passage into the afterlife. Other Cultures: Scarab beetles have also appeared in the mythology and folklore of other civilizations, such as the ancient Greeks and Romans, where they were often associated with various deities and symbols of rebirth. History in Imagery and Folklore: Art and Hieroglyphics: In ancient Egyptian art, scarab beetles were depicted in various forms, including jewelry, amulets, sculptures, and hieroglyphics. These representations often showcased the beetle pushing a sun disc, symbolizing the journey of the sun across the sky and the cycle of life and death. Symbolism in Folklore: Scarab beetles have been woven into the folklore and myths of many cultures around the world, often representing themes of regeneration, protection, and transformation. Their ability to roll dung into spherical balls, bury them, and emerge as adults from beneath the earth has led to associations with cycles of life and renewal. Potential Meaning of a Scarab Beetle Tattoo: Transformation and Rebirth: A scarab beetle tattoo can symbolize personal transformation, growth, and the ability to overcome obstacles. Just as the beetle undergoes metamorphosis from larva to adult, the tattoo may represent one's journey of self-discovery and evolution. Protection and Guidance: In ancient Egyptian belief, scarab amulets offered protection and guidance to the wearer. A scarab beetle tattoo could serve as a talisman for protection, guiding the individual through life's challenges and uncertainties. Connection to Ancient Wisdom: By choosing a scarab beetle tattoo, one may feel a connection to the wisdom and mysticism of ancient civilizations. It can be a way to honor cultural heritage and embrace timeless symbols of significance. Luck and Prosperity: In some interpretations, scarab beetles are seen as symbols of good fortune and prosperity. A tattoo featuring this revered insect may be sought after for its potential to attract positive energy and blessings into one's life. In summary, a scarab beetle tattoo encapsulates rich layers of cultural significance, historical symbolism, and profound meanings related to transformation, protection, and the cycle of life. It's a timeless emblem that resonates with individuals seeking to imbue their body art with depth and significance. At the end of the day, regardless of its meaning, a scarab beetle is a lovely tattoo!

The History Behind "Angels (We Call Them Mothers Down Here)" by Bert Kalmar and Harry Ruby: A Journey Through Time and Art In my journey of creating art, I often find myself drawn to the rich history embedded in old music sheets. One particular piece that captivated me is "Angels (We Call Them Mothers Down Here)" by Bert Kalmar and Harry Ruby. This song, which resonated deeply with audiences in the early 20th century, provided the perfect backdrop for my recent drawing—a 1920s woman’s face with a giant moth covering her eyes, where the moth's wings display realistic eyes, and two smaller moths flutter around her face. Let me take you on a journey through the historical context of this song, the lives of its composers, and why I chose to merge this piece of musical history with my contemporary artwork. The Composers: Bert Kalmar and Harry Ruby Bert Kalmar and Harry Ruby were a dynamic songwriting duo whose collaboration began in the early 1910s. Kalmar, born in 1884, had a background in vaudeville as a magician and comedian, while Ruby, born in 1895, started his career playing piano in saloons and cafes. Their partnership led to the creation of numerous beloved songs that became staples of American music. Their ability to craft songs that combined humor, emotion, and melody made them standouts in the bustling world of Tin Pan Alley. Historical Context: Early 20th Century America The early 20th century was a period of significant transformation in America. With rapid industrialization, many people moved from rural areas to urban centers in search of new opportunities. This era also saw the rise of Tin Pan Alley in New York City, a hub for songwriting and music publishing where composers like Kalmar and Ruby found great success. "Angels (We Call Them Mothers Down Here)" was composed in 1929, a time when America was transitioning from the prosperous Roaring Twenties to the onset of the Great Depression. The song's themes of love, gratitude, and the cherished bond between mothers and their children resonated deeply during a period marked by both celebration and looming uncertainty. Its lyrics honor mothers as earthly angels, a sentiment that brought comfort and joy to many families. The Artwork: Merging History and Contemporary Expression When I discovered the old music sheet of "Angels (We Call Them Mothers Down Here)," it immediately struck me as a canvas rich with history. I chose to draw a 1920s woman's face with a giant moth covering her eyes, its wings detailed with realistic eyes that give the illusion of a complete, unobstructed face. Two smaller moths also fly around her, adding to the surreal, dreamlike quality of the piece. This artistic choice honors the historical significance of the music sheet while introducing a modern, surrealist element. The woman’s face, emblematic of the 1920s flapper era, symbolizes the cultural shift and the new roles women were exploring during that time. The moths, with their realistic eyes, add a layer of mystery and transformation, echoing the themes of change and hidden depths. The Symbolism: Moths as Angels The choice of moths in my artwork connects symbolically to the song's theme of mothers as angels. Moths, often drawn to light, can be seen as ethereal, almost otherworldly creatures—much like angels. By using moths to cover the woman's eyes, I aim to illustrate the idea that mothers, like these gentle, light-seeking creatures, guide us through darkness and provide us with unwavering love and support. The realistic eyes on the moth's wings symbolize the all-seeing, all-knowing nature of a mother’s care and intuition, further linking to the idea of mothers as earthly angels. The Significance of the Music Sheet Using an old music sheet as the canvas for my art adds a tangible sense of history and continuity. Music sheets from the early 20th century are not just relics of the past; they are windows into the cultural and social dynamics of their time. They tell stories of the people who composed, performed, and cherished these songs. For me, "Angels (We Call Them Mothers Down Here)" represents more than just a medium for notes and lyrics. It embodies the spirit of an era and the personal journeys of countless individuals who found solace, joy, and reflection in its melody. By creating art on this music sheet, I aim to pay homage to these historical narratives while infusing them with new life and contemporary relevance. Fun Facts and Stories: Kalmar and Ruby's Creative Synergy Bert Kalmar and Harry Ruby's partnership was marked by a unique creative synergy. They wrote songs for Broadway musicals and Hollywood films, leaving a lasting impact on American entertainment. Their ability to blend humor and sentiment in their songs made their work appealing to a broad audience. The Song's Reception "Angels (We Call Them Mothers Down Here)" became a beloved song, especially around Mother's Day. Its heartfelt lyrics and beautiful melody resonated with families celebrating the special bond with their mothers. Imagine families in the late 1920s and early 1930s, gathering around the piano to sing this touching tribute to mothers everywhere. Ruby's Musical Beginnings Harry Ruby’s early career as a pianist in saloons and cafes gave him a deep understanding of everyday American life. This background influenced his ability to create music that was both accessible and emotionally resonant, contributing to the enduring appeal of his compositions with Kalmar. Anecdote of Inspiration An interesting anecdote about Kalmar and Ruby is that their song ideas often sprang from everyday moments. It's said that the inspiration for "Angels (We Call Them Mothers Down Here)" came from Kalmar observing his wife with their children. Moved by the nurturing nature of mothers, he and Ruby crafted a song celebrating these earthly angels. Bringing It All Together Combining historical context and contemporary art creates a rich tapestry that invites you to explore both the past and the present. The choice to draw a 1920s woman’s face with a giant moth covering her eyes on the music sheet of "Angels (We Call Them Mothers Down Here)" highlights the timeless nature of human expression and the ongoing quest for identity and transformation. By sharing this piece on my blog, I hope to offer you not only a glimpse into the history of a beautiful song but also an opportunity to reflect on broader themes of exploration, identity, and cultural heritage. This fusion of history and art can attract a diverse audience, from music historians and art enthusiasts to those interested in surrealism and cultural symbolism. As I continue to create and share my art, each piece becomes a narrative thread that weaves together the stories of the past with visions of the future, making my blog a unique and enriching destination for all who visit. "Angels (We Call Them Mothers Down Here)" by Bert Kalmar and Harry Ruby is more than just a song; it’s a piece of history that continues to inspire and resonate. Composed in 1929 during a time of great change, it reflects themes of love, gratitude, and the special bond between mothers and their children. By integrating this historical music sheet with my contemporary artwork, I aim to create a powerful commentary on the enduring nature of human creativity and the ongoing dialogue between different eras. Through my blog, I invite you to join me on this journey of exploration and artistic exppression. Be sure to check out more of these pages on my website and stay tuned on my blog to learn more about the historical paper I use to create art! All works are for sale and available in my storefront.

The History Behind "Make Believe" by Benny Davis and Jack Shilkret: A Journey Through Time and Art Creating art on old music sheets allows me to weave together the rich history of music with my contemporary artistic vision. One such piece that inspired me is "Make Believe" by Benny Davis and Jack Shilkret. This song, cherished by many during its time, provided the perfect canvas for my recent drawing—a beautiful 1920s witch holding a candle, appearing as if she's about to blow it out, with a small tattered-winged fae demon emerging from her hair. Let’s delve into the historical context of this song, the lives of its composers, and how these elements inspired my artwork. The Composers: Benny Davis and Jack Shilkret Benny Davis and Jack Shilkret were notable figures in the music world during the early 20th century. Benny Davis, born in 1895, was a prolific lyricist and composer known for his ability to craft songs that captured the emotions and experiences of everyday life. Jack Shilkret, born in 1896, was a talented composer and orchestra leader. Together, they created songs that resonated with audiences and left a lasting impact on the American music scene. Historical Context: Early 20th Century America The early 20th century was a time of great change and cultural evolution in America. The Roaring Twenties, characterized by economic prosperity and cultural dynamism, saw the rise of jazz, the flapper movement, and a new sense of modernity. This period was also a golden era for Tin Pan Alley, the hub of songwriting and music publishing in New York City, where composers like Davis and Shilkret thrived. "Make Believe" by Benny Davis and Jack Shilkret was composed in 1926, a year when America was experiencing the height of the Jazz Age. The song’s themes of fantasy and escapism were reflective of a society that was embracing new forms of entertainment and expression. The Roaring Twenties were a time when people sought to break away from the past and explore new possibilities, and music was a key part of that cultural shift. The Artwork: Merging History and Contemporary Expression When I found the old music sheet of "Make Believe," I saw an opportunity to blend its historical essence with a modern, fantastical element. I drew a beautiful 1920s witch holding a candle, poised as if she’s about to blow it out. Her serene, mysterious demeanor, paired with a headscarf that adds to her enchanting aura, embodies the spirit of the Jazz Age woman—independent, intriguing, and forward-thinking. Emerging from her hair is a small tattered-winged fae demon, fairy-sized, looking as if it’s about to whisper secrets to her. This mystical creature symbolizes the hidden depths and the magic that lies beneath the surface of everyday life, much like the era’s fascination with fantasy and the supernatural. The Symbolism: Witches and the Fae The choice of a witch and a fae demon in my artwork connects symbolically to the song's themes of fantasy and make-believe. Witches, often seen as wise and powerful figures, represent mystery, magic, and the unseen forces of the world. The act of holding a candle, about to be blown out, signifies the delicate balance between light and dark, known and unknown. The small fae demon, with its tattered wings, adds a touch of whimsy and intrigue, embodying the idea of secrets and hidden knowledge. Together, these elements create a narrative of enchantment and wonder, inviting viewers to imagine the stories and secrets that lie within. The Significance of the Music Sheet Using an old music sheet as the canvas for my art adds a tangible sense of history and continuity. Music sheets from the early 20th century are not just relics of the past; they are windows into the cultural and social dynamics of their time. They tell stories of the people who composed, performed, and cherished these songs. For me, "Make Believe" represents more than just a medium for notes and lyrics. It embodies the spirit of an era and the personal journeys of countless individuals who found solace, joy, and reflection in its melody. By creating art on this music sheet, I aim to pay homage to these historical narratives while infusing them with new life and contemporary relevance. Fun Facts and Stories: Davis and Shilkret's Creative Process Benny Davis and Jack Shilkret had a remarkable ability to create music that resonated with the public. Davis's lyrical talent combined with Shilkret's musical composition created a synergy that resulted in memorable and beloved songs. Their work often reflected the hopes, dreams, and fantasies of the people of their time. The Song’s Popularity "Make Believe" quickly became a favorite among listeners in the 1920s. Its dreamy melody and imaginative lyrics provided a perfect escape from the daily grind, resonating with a society eager for entertainment and fantasy. Picture the audiences of the 1920s, dressed in their finest attire, gathering in dance halls and parlors, enchanted by the whimsical allure of "Make Believe." Shilkret's Musical Background Jack Shilkret, along with his brother Nat Shilkret, was a significant figure in the music industry. Jack’s background as an orchestra leader and composer gave him a deep understanding of musical arrangement and performance, contributing to the lasting impact of his collaborations with Benny Davis. Inspiration from Daily Life An interesting anecdote about Davis and Shilkret is how they often drew inspiration from the world around them. It’s said that the idea for "Make Believe" stemmed from observing the fantasies and daydreams of people in their everyday lives. They captured the essence of imagination and transformed it into a beautiful, melodic expression of escapism. Bringing It All Together Combining historical context and contemporary art creates a rich tapestry that invites you to explore both the past and the present. The choice to draw a 1920s witch holding a candle on the music sheet of "Make Believe" highlights the timeless nature of human expression and the ongoing quest for identity and transformation. By sharing this piece on my blog, I hope to offer you not only a glimpse into the history of a beautiful song but also an opportunity to reflect on broader themes of exploration, fantasy, and cultural heritage. This fusion of history and art can attract a diverse audience, from music historians and art enthusiasts to those interested in surrealism and magical realism. As I continue to create and share my art, each piece becomes a narrative thread that weaves together the stories of the past with visions of the future, making my blog a unique and enriching destination for all who visit. "Make Believe" by Benny Davis and Jack Shilkret is more than just a song; it’s a piece of history that continues to inspire and resonate. Composed in 1926 during a time of cultural dynamism, it reflects themes of fantasy, escapism, and the endless possibilities of the imagination. By integrating this historical music sheet with my contemporary artwork, I aim to create a powerful commentary on the enduring nature of human creativity and the ongoing dialogue between different eras. Through my blog, I invite you to join me on this journey of exploration and artistic expression.

What are your goals as a tattoo artist? As a client, do you have goals that you like to set for the artist you’re working with? Let me know in the comments! Listed below are a few of my goals as a tattoo artist. Be sure to check out my online calendar for the “new client inquiry” form, it will send you an automated email with more info on my goals: https://calendly.com/jeanniemarietattoos 🤗💗 * One of my biggest goals as a tattoo artist is making sure clients have their autonomy in getting the tattoo they want, but at the same time making sure the decisions they make are informed with all potential options. So that way you can choose what feels best for you and your body! 💪 * I like to make sure people feel free to express themselves as comfortable as possible ✨ -Especially when it comes to ideas that clients bring to me and the designs they choose. Your ideas matter, and while I may throw suggestions that could potentially suit your particular situation, the sole purpose of expressing all my thoughts is a way for you to make the best informed decision while being provided all the information you need to do so! I’m a big advocate, for people, choosing what feels right in their heart, and that will (most) always supersede my suggestions as a professional artist. ❤️ * I want people to feel safe. 🤗 -You are entrusting me with something incredibly sacred, vulnerable, and also painful! I want to make sure all my clients feel free to tell me their limits without fear or embarrassment, so that they can be empowered to go through the experience of getting a tattoo without the added stress of feeling emotionally uncomfortable. I also want them to feel empowered with the trust that they’re artist, is there to respect them as they come, and respect their decisions to get the tattoo that honors their truest selves. 💃🏼 * I want to make sure you get the best version of your idea possible! 🎨 -I never wanna Client to feel obligated into a design because that is what is available in that moment. I really like to lean in to listening to our intuition and to do what feels right. I always try my best to make sure Client can feel reassured with listening to their gut when something doesn’t feel 100%. 💯

(The captions only works for half of my video and i gave up because no matter what i did it wouldn’t save my adjustments so apologies for those who need those captions!!) 🫣🥹😭 If you listen to the whole thing I go over how I acquired these 1906 newspapers and a little bit of history on these newspapers too! I know in the voiceover i said “over 120 years old” obviously i ment to say *almost* 120 years old heheh. Anyhoo! Learn more about this 1906 Newspaper I have in my collection! I got these newspapers from my dad when he was wrecking an old building and he found them in the basement of that building. If I’m remembering correctly, it was some sort of old newspaper printing company where the building needed to get demolished. Believe it or not there were so many more of these journals just laying around in this building and it kind of makes you wonder how many businesses go out of commission and just leave little historic relics like this that get lost through time. So he decided to save a few of them, and gave a few to me so that I could bring new life with my art on these newspapers. 🖼️ Once I confirmed online that these archival papers had copies of them, I felt confident in doing my art on them as they had a lot of wear and tear on the edges. These papers are pretty insane to draw on. This delicate of paper means no mistakes. You cannot erase on this paper as it just disintegrates with it being almost 120 years old. 📄 I am a big fan of vintage things and so collecting vintage paper is one of my favorite activities. I’ve got a lot of old magazines and of course to giant stacks of 1906 newspapers and 1957 newspapers. And I also have a giant collection of music sheets that range from the early 1900s to the 1930s. Most of them are from the 20s. ❤️ My favorite part about collecting old papers is to see what sort of headlines they contain, the ads back at this era were so insane to read. Its so fun learning more about these 1906 newspapers through reading the context in hostory in provides! If anyone’s interested in reading some of these headlines, I would love to kind of take a look with you guys and share with you what some of these headlines say. It can be pretty crazy. 😜 This particular piece on 1906 newspaper is titled "The Sea Witch" and is available for purchase in my storefront as an priginal framed piece or also available in print! Check out this link for more on this body of work. https://www.jeanniemarie.art/newspaperproject

The most important thing you need to know about how I price is, I want clients to tell me their price(sort of) 🫣🤗💗I know that sounds weird coming from your tattoo artist, but as silly as it sounds, there is a reason for it. 🧐 I want clients to be able to confidently stick within their monthly budget while still getting to honor the cost of getting tattooed. To do that I like to make sure whether it’s your pain bugdet, or your monetary budget; we stick within those capabilities for you! The reason I go by personal budgets is because I want people to stick within their capabilities and do what feels right for them. So if that means you can only get tattooed for an hour every month, whatever project you would like to start, we would just book according to that budget until your tattoo is completed. ✍️ I know that tattoos are expensive and one of the biggest reasons for me operating this way is to make sure that I am still accessible and that great art has access to people who do need to worry about sticking within their personal budget. So at the end of the day, if you need different ways of being able to afford your tattoo we can certainly discuss to find the best options for you! 🤗 Now, though I don’t have a ‘shop minimum’ tattoo price(the shortest amount of time I book is 1 hour). Another special thing that I like to offer since I don’t have a shop minimum rather I have a minimum of time. Is that I really like to let people have the space to get multiple little tattoos in the same session if they would like to fully utilize the time. Ultimately it could potentially be a cheaper route for you instead of paying $100-$150 every time you’re getting a small tattoo. I talk to pretty fast so generally we can do around 3 to 4 maybe even five small tattoos all in an hour which could potentially save you a lot of money! I love getting to do tattoos, big and small! 😍 Another thing I like to clarify, is that you are paying for the professional service I provide, and not the object of a tattoo. Tattoos are so much more than a fun art piece you can hang on the wall. They are things that never go away, and so when you get tattooed it’d be important to remember that you are paying for my services and not an object. 🔥

The History Behind "The Song of the Wanderer (Where Shall I Go)" by Neil Moret: A Journey Through Time and Art In my journey of creating art, I often find myself drawn to the rich history embedded in old music sheets. One particular piece that captivated me is "The Song of the Wanderer (Where Shall I Go)" by Neil Moret. This song, which struck a chord with many in the early 20th century, provided the perfect backdrop for my recent drawing—a black woman with an afro, with a galaxy and Saturn within her hair. Let me take you on a journey through the historical context of this song, the life of its composer, and why I chose to merge this piece of musical history with my contemporary artwork. The Composer: Neil Moret Neil Moret, whose real name was Charles Neil Daniels, was born on March 13, 1878, in Sedalia, Missouri. As a prolific composer and music publisher, he significantly contributed to the popular music scene of the early 1900s. Moret's ability to craft melodies that evoke deep emotions and tell compelling stories is evident in many of his works. "The Song of the Wanderer (Where Shall I Go)" by Neil Moret is one such piece, showcasing his talent for capturing the human experience. Neil Moret's Journey to Success: Neil Moret's journey to becoming a notable figure in Tin Pan Alley is quite fascinating. Born Charles Neil Daniels, he initially faced skepticism from music publishers about his work. However, his determination paid off when he established his own music publishing company, Daniels & Wilson, giving him more control over his compositions and their distribution. His persistence in the competitive world of early 20th-century music is an inspiring story of self-belief and entrepreneurial spirit. The Inspiration Behind the Song "The Song of the Wanderer (Where Shall I Go)" is believed to reflect the zeitgeist of the Roaring Twenties. This era was marked by a sense of adventure and the quest for new experiences, driven by the economic prosperity following World War I. The song's themes of wandering and searching for one’s place could be seen as mirroring the experiences of many Americans who were exploring new cities, new careers, and new lifestyles during this vibrant decade. The Popularity of the Song When "The Song of the Wanderer" was released in 1926, it quickly became popular among dance bands and orchestras. Its melodic and lyrical qualities made it a favorite in the burgeoning jazz and dance club scenes. Imagine people in speakeasies and jazz clubs of the 1920s, dancing to the tune of this song, which added to the cultural fabric of the era. Moret's Connection to Sedalia, Missouri Neil Moret was born in Sedalia, Missouri, which is also famously associated with Scott Joplin, the "King of Ragtime." This connection adds an interesting layer to Moret’s story, as Sedalia was a hotbed for early American music innovation. Growing up in such a musically rich environment might have influenced Moret's path and passion for music. Anecdote of the Wanderer's Spirit There's a charming anecdote about Moret's affinity for travel and exploration, which perhaps influenced his writing of "The Song of the Wanderer." Known for taking long train journeys to find inspiration, Moret would often jot down melodies and lyrics while traversing the American landscape. This sense of movement and the open road might have seeped into the spirit of the song, emphasizing the theme of wandering and searching. Personal Reflection Reflecting on these fun facts and stories, it becomes clear how "The Song of the Wanderer" fits into the broader narrative of American music history. Neil Moret's journey from a small town in Missouri to becoming a successful composer and publisher in the bustling world of Tin Pan Alley is a testament to the transformative power of music and determination. Incorporating these anecdotes into your blog post not only provides a richer historical context but also invites readers to connect with the song and its composer on a more personal level. It's fascinating to think that a song written nearly a century ago can still resonate with contemporary themes of exploration and identity, just as it did during the Roaring Twenties. Conclusion "The Song of the Wanderer (Where Shall I Go)" by Neil Moret isn't just a beautiful melody from the past; it’s a piece of history filled with stories of adventure, resilience, and the timeless human quest for belonging. By blending this historical context with my contemporary artwork, I aim to create a bridge between different eras, inviting you to explore the rich tapestry of human creativity through the lens of music and art. Historical Context: Early 20th Century America The early 1900s were a time of profound change in America. Rapid industrialization led many people to migrate from rural areas to urban centers in search of better opportunities. This period also saw the rise of Tin Pan Alley in New York City, where composers like Neil Moret thrived. Composed in 1926, "The Song of the Wanderer (Where Shall I Go)" by Neil Moret came to life during the Roaring Twenties—a decade marked by economic prosperity and cultural flourishing. The song reflects themes of wandering and searching for one’s place in the world, sentiments that resonated deeply with many Americans during this time of transition and uncertainty. The lyrics convey a sense of longing and introspection, capturing the essence of human experience in an era of both hope and hardship. The Artwork: Merging History and Contemporary Expression When I discovered the old music sheet of "The Song of the Wanderer," I saw it as a canvas rich with history. I chose to draw a black woman with an afro, symbolizing strength, identity, and the vastness of the universe within her. The galaxy and Saturn within her hair add layers of meaning, suggesting a connection to the cosmos and the infinite possibilities of existence. This artistic choice honors the historical significance of the music sheet while bringing a modern perspective to the narrative. The image of a black woman with an afro is a powerful symbol of cultural pride and resilience, especially within the context of African American history. By integrating this imagery with a historical music sheet, I aim to bridge the past and present, creating a dialogue between different eras and experiences. The Significance of the Music Sheet Using an old music sheet as the canvas for my art adds a tangible sense of history and continuity. Music sheets from the early 20th century are not just relics of the past; they are windows into the cultural and social dynamics of their time. They tell stories of the people who composed, performed, and listened to these songs. For me, "The Song of the Wanderer (Where Shall I Go)" by Neil Moret represents more than just a medium for notes and lyrics. It embodies the spirit of an era and the personal journeys of countless individuals who found solace, joy, and reflection in its melody. By creating art on this music sheet, I hope to pay homage to these historical narratives while infusing them with new life and contemporary relevance. Combining historical context and contemporary art creates a rich tapestry that invites you to explore both the past and the present. The choice to draw a black woman with a galaxy and Saturn within her afro on the music sheet of "The Song of the Wanderer" highlights the timeless nature of human expression and the ongoing quest for identity and belonging. By sharing this piece on my blog, I hope to offer you not only a glimpse into the history of a beautiful song but also an opportunity to reflect on broader themes of exploration, identity, and cultural heritage. This fusion of history and art can attract a diverse audience, from music historians and art enthusiasts to those interested in African American culture and cosmic symbolism. As I continue to create and share my art, each piece becomes a narrative thread that weaves together the stories of the past with visions of the future, making my blog a unique and enriching destination for all who visit. "The Song of the Wanderer (Where Shall I Go)" by Neil Moret is more than just a song; it's a piece of history that continues to inspire and resonate. Composed in 1926 during the vibrant Roaring Twenties, it reflects themes of exploration and searching for one’s place in a rapidly changing world. By integrating this historical music sheet with my contemporary artwork, I aim to create a powerful commentary on the enduring nature of human creativity and the ongoing dialogue between different eras. Through my blog, I invite you to join me on this journey of exploration and artistic expression.

The History Behind "I Don't Want Nobody But You" by Abel Baer: A Journey Through Time and Art Creating art on vintage music sheets allows me to blend historical significance with modern artistic expression. My latest piece features a surrealist depiction of a 1920s woman’s face, teary-eyed, with a rain cloud in her hair emitting lightning, and a sun peeking through in the background. This artwork is set on the music sheet of "I Don't Want Nobody But You," a fox trot song by Abel Baer. Let’s explore the historical context of this song, the life of its composer, and how these elements inspired my artwork. The Composer: Abel Baer Abel Baer was a prolific composer during the early 20th century, known for his contributions to the popular music of the time. Born in 1893, Baer initially pursued a career in dentistry before his passion for music led him to Tin Pan Alley, where he found great success. His ability to write catchy melodies and heartfelt lyrics made him a significant figure in the American music scene. Historical Context: Early 20th Century America "I Don't Want Nobody But You" was composed in 1924, during the vibrant and culturally dynamic period of the Roaring Twenties. This era was marked by economic prosperity, the rise of jazz, and significant social changes. The fox trot, a popular dance style of the time, was characterized by its smooth, progressive movements, which perfectly complemented the upbeat and optimistic spirit of the decade. The song's themes of love and devotion resonated with audiences seeking joy and connection in the post-World War I era. It reflected the era's fascination with romance and the lively social scenes of dance halls and jazz clubs. The Artwork: Merging History and Contemporary Expression When I discovered the old music sheet of "I Don't Want Nobody But You," I saw an opportunity to blend its historical essence with my artistic vision. I drew a surrealist 1920s woman’s face, with tears streaming down her cheeks, and a rain cloud in her hair emitting lightning. A sun peeks through the clouds, symbolizing hope and resilience amidst sorrow. This imagery captures the complex emotions often hidden beneath the surface. The woman’s tears represent sadness and longing, while the rain cloud and lightning symbolize turbulent emotions. The sun breaking through the clouds suggests a glimmer of hope and the possibility of brighter days ahead. The Symbolism: Tears, Rain Clouds, and Sunlight The choice of a crying woman with a rain cloud in her hair connects symbolically to the song’s themes of love and longing. Tears signify emotional depth and vulnerability, reflecting the heartfelt lyrics of the song. The rain cloud and lightning represent inner turmoil and the stormy nature of human emotions. Yet, the sun peeking through the clouds symbolizes hope and the enduring strength of the human spirit. The Significance of the Music Sheet Using an old music sheet as the canvas for my art adds a tangible sense of history and continuity. Music sheets from the early 20th century are not just relics of the past; they are windows into the cultural and social dynamics of their time. They tell stories of the people who composed, performed, and cherished these songs. For me, "I Don't Want Nobody But You" represents more than just a medium for notes and lyrics. It embodies the spirit of an era and the personal journeys of countless individuals who found solace, joy, and reflection in its melody. By creating art on this music sheet, I aim to pay homage to these historical narratives while infusing them with new life and contemporary relevance. Fun Facts and Stories: Abel Baer's Musical Journey Abel Baer's transition from dentistry to music is a testament to his passion and talent. His ability to craft songs that resonated with a wide audience made him a beloved composer of his time. Baer collaborated with many notable lyricists and composers, contributing to the rich tapestry of American popular music. The Song's Popularity "I Don't Want Nobody But You" quickly became a favorite among listeners in the 1920s. Its catchy melody and heartfelt lyrics made it a popular choice in dance halls and parlors, where people would gather to enjoy music and dance. The fox trot rhythm perfectly complemented the lively and carefree spirit of the Roaring Twenties. A Glimpse into Tin Pan Alley Tin Pan Alley, where Baer found his musical success, was the epicenter of American songwriting and music publishing during the early 20th century. It was a place where composers and lyricists could collaborate and create music that would shape the cultural landscape of the time. Inspiration from Everyday Emotions An interesting anecdote about Baer is how he often drew inspiration from the emotions and experiences of everyday life. "I Don't Want Nobody But You" captures the universal theme of love and devotion, resonating with listeners who had experienced similar feelings of longing and affection. Bringing It All Together Combining historical context and contemporary art creates a rich tapestry that invites you to explore both the past and the present. The choice to draw a surrealist, crying 1920s woman on the music sheet of "I Don't Want Nobody But You" highlights the timeless nature of human expression and the ongoing quest for identity and transformation. By sharing this piece on my blog, I hope to offer you not only a glimpse into the history of a beautiful song but also an opportunity to reflect on broader themes of exploration, emotion, and cultural heritage. This fusion of history and art can attract a diverse audience, from music historians and art enthusiasts to those interested in surrealism and emotional expression. As I continue to create and share my art, each piece becomes a narrative thread that weaves together the stories of the past with visions of the future, making my blog a unique and enriching destination for all who visit. Conclusion "I Don't Want Nobody But You" by Abel Baer is more than just a song; it’s a piece of history that continues to inspire and resonate. Composed in 1924 during a time of cultural dynamism, it reflects themes of love, longing, and the resilience of the human spirit. By integrating this historical music sheet with my contemporary artwork, I aim to create a powerful commentary on the enduring nature of human creativity and the ongoing dialogue between different eras. Through my blog, I invite you to join me on this journey of exploration and artistic expression.

Unveiling the Enigma of "The Evening Telegram" and the Femme Fatale of 1906 As an artist immersed in the intricate dance between history and creativity, I found myself drawn to a relic from the past that sparked the imagination and beckoned the brush: a 1906 edition of "The Evening Telegram," specifically the Saturday July 7th issue, where on page 13 lay the Woman's point of view column, a treasure trove of insights into the zeitgeist of that era. In my hands, I held not just a newspaper, but a portal to a world where societal norms and women's roles were evolving. The very page where my eyes wandered bore witness to narratives shaped by ink and paper, encapsulating dreams, struggles, and aspirations of an era long past. "The Evening Telegram," established in 1866, was a pioneering publication that utilized state-of-the-art printing technology of the time, including steam-powered rotary presses. This technological leap allowed for faster and more efficient production, enabling "The Evening Telegram" to reach a wide audience and establish itself as a prominent voice in journalism. "The Evening Telegram," founded in 1866, was a beacon of information in the bustling cityscape of its time. With a readership exceeding 50,000, it wielded considerable influence in shaping public opinion and discourse. The Woman's point of view column, which began in the late 19th century, was a platform for writers like Mary Smith to express progressive ideas about gender roles, women's rights, and societal change. It became a focal point for discussions on feminism and equality, resonating with readers who sought a more inclusive and enlightened society. Mary Smith, a trailblazing journalist and advocate for women's rights, contributed regularly to "The Evening Telegram" throughout the early 1900s. Her writing style combined intellect with passion, challenging conventional norms and advocating for social justice. The archival status of "The Evening Telegram" is a testament to its enduring legacy. While many newspapers from that era have faded into obscurity, a significant number of editions, including the July 7th, 1906 issue, have been preserved in archives, serving as invaluable resources for historians, researchers, and enthusiasts alike. The Woman's point of view column continued to spark discussions and debates until the early 1920s when societal shifts and changing editorial priorities led to its eventual discontinuation. However, its impact on shaping public discourse and challenging societal norms reverberated long after its final publication. Diving deeper into the Woman's point of view page, I encountered Mary Smith's poignant article titled "The New Woman: Breaking Barriers, Shaping Tomorrow." Her eloquent prose and impassioned plea for gender equality reverberated through the decades, resonating with contemporary discussions on feminism and women's rights. The context of 1906 adds layers of significance to this artistic exploration. It was a time of transition and upheaval, with the suffrage movement gaining momentum and voices advocating for women's rights becoming more pronounced. Against this backdrop, "The Evening Telegram" served as a platform for debate, enlightenment, and cultural expression. In the midst of this historical panorama, my art found its muse: a femme fatale reminiscent of an Ursula-esque character, poised in a delicate balance between allure and enigma. Her form, half woman and half octopus, symbolized the complexity and depth of femininity, embracing both beauty and strength. The choice of the 1906 "The Evening Telegram" as the canvas for this creation was deliberate. It wasn't just about the aesthetics of vintage paper; it was about honoring a moment in time when the world was on the cusp of transformation. The newspaper itself, with its yellowed pages and faint scent of history, spoke of countless hands that had turned its leaves, seeking knowledge, entertainment, and connection. As I delved into research, I marveled at the resilience of "The Evening Telegram" and its enduring impact on society. The archival copies, meticulously preserved, stand as guardians of a bygone era, allowing us to glimpse into the past and draw inspiration for the future. In essence, my art piece attempts to transcend mere strokes on paper; it's a conversation between past and present, a testament to the resilience of human expression across generations, the growth between now and our distant past. The 1906 "The Evening Telegram" and its Woman's point of view page served as the canvas for a narrative woven with threads of history, culture, and imagination—a narrative waiting to be deciphered by each viewer, much like a timeless puzzle from the annals of time. These are a part of a body of work that can be found for sale in my storefront.

Memorial tattoo of orchids 💗 Thank you so much for trusting me with this incredibly special tattoo! The most beautiful thing I think about tattoos is no matter how simple, intricate, or unseemingly so; tattoos always carry such a special meaning for the people wearing them. Whether it’s a cute fun little pizza slice you decide to commemorate friendship with, or a sleeve of all of your favorite plants, they all create little mementos we adorn on our body. It’s something that took time in this career to realize, even if something seems so silly, or is just flash someone is collecting, people hold so much sentimental value with the things that live on their body until the end of time. Why else do we purchase art for our walls? Because even though its not our creation, if gifts us with a powerful connection that can bring up many different things like an array of emotions, make us laugh or even remind us of things we hold dear. Tattoos as an art form I feel aren’t separated from that. That sort of expression is such a powerful tool that people use in so many different ways. Maybe its to commemorate, or to keep a scrapbook of cherished things, maybe its because we grew up with blackberries in our backyard and want to see them everyday(an example of my own personal tattoo) or maybe its because we just really love pizza. All of that no matter the intent is so special that you choose to live with it for forever. And i think that is really amazing 🥰🤗💗 As a tattoo artist, I am often inspired by the intricate beauty and profound symbolism of flowers. Orchids, in particular, hold a special place in my heart and my work. Recently, I had the joy of designing an orchid tattoo, which led me to explore the rich cultural and historical significance of these exquisite flowers and their meanings in the world of tattoos. Orchids have been admired and revered across various cultures for centuries. In ancient Greece, orchids were associated with fertility and virility. The Greeks believed that the tuberous roots of orchids determined the sex of an unborn child. If a father ate large orchid tubers, the child would be a boy; if the mother ate small orchid tubers, the child would be a girl. This fascinating belief highlights the orchid’s long-standing connection to human life and nature. In Chinese culture, orchids symbolize refinement, beauty, and inner strength. They are often associated with Confucius, who admired their delicate yet resilient nature. Orchids appear in Chinese art and poetry as symbols of purity, elegance, and nobility. Similarly, in Japan, orchids are seen as symbols of wealth, prosperity, and strength, often given as gifts to convey admiration and respect. In Victorian England, orchids were rare and exotic flowers, symbolizing luxury, opulence, and rare beauty. Collecting orchids became a popular pastime among the wealthy, and the flowers were often featured in fine art and elaborate botanical illustrations, highlighting their status as precious and coveted blooms. Orchids also hold a special place in modern art. The renowned artist Georgia O’Keeffe created stunning, magnified paintings of orchids, celebrating their unique forms and vibrant colors. Her work brought a new appreciation to these flowers, emphasizing their sensual and mysterious qualities. When it comes to orchid tattoos, the meanings are as diverse and captivating as the flowers themselves. An orchid tattoo can represent beauty, strength, and refinement. Its intricate and symmetrical design makes it a perfect choice for those who appreciate the delicate balance of nature’s artistry. For some, an orchid tattoo symbolizes love and passion. Orchids are known for their striking appearance and exotic allure, making them a powerful emblem of romantic and sensual connections. They can also represent personal growth and transformation, as orchids require specific conditions to thrive, mirroring the journey of overcoming challenges to bloom into one’s full potential. Every orchid tattoo I design carries a piece of these collective memories we all have and the admiration one mugh hold with these magnificent flowers. In the world of tattoos, orchids offer a rich tapestry of meanings and visual appeal. Whether it’s a realistic representation, a stylized design, or an abstract interpretation, an orchid tattoo can carry deep personal significance and beauty. Clients often choose orchid tattoos to symbolize important life events, commemorate loved ones, or express their own inner strength and elegance. If you’re considering an orchid tattoo, think about what these flowers mean to you. Their cultural significance, historical symbolism, and natural beauty make them a powerful and personal choice for body art. Whether it’s the connection to love, strength, beauty, or personal growth, an orchid tattoo can be a meaningful and stunning addition to your tattoo collection. Thank you everyone who loops me into that incredibly special moment, i appreciate the gift you give me to apply those mementos that will live on you until the end 🥰